<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-20420020</id><updated>2012-01-29T08:38:26.281+11:00</updated><category term='quotation'/><category term='Morgan Library'/><category term='the producers'/><category term='GNU Manifesto'/><category term='authenticity'/><category term='economic contribution'/><category term='news'/><category term='pirate bay'/><category term='behaviour'/><category term='printing'/><category term='nature'/><category term='copy and paste show'/><category term='art'/><category term='swede'/><category term='Jamais Cascio'/><category term='ecosystems'/><category term='unpredictability'/><category term='Dafen'/><category term='Chinese painting'/><category term='dan mitchell'/><category term='silk street'/><category term='alan kaprow'/><category term='kevin kelly'/><category term='mimicry'/><category term='re-do'/><category term='video'/><category term='oral'/><category term='new museum'/><category term='copyright fairuse'/><category term='Shakespeare folios'/><category term='appropriation'/><category term='procrastination'/><category term='rhetoric'/><category term='review'/><category term='duncan watts'/><category term='Kerouac'/><category term='dj'/><category term='Voltaire'/><category term='Fair Use'/><category term='be kind rewind'/><category term='alex ross'/><category term='intellectuals'/><category term='agenda'/><category term='underground music'/><category term='library of congress'/><category term='online art'/><category term='triplicate distribution'/><category term='verbatim copies'/><category term='audience'/><category term='bates'/><category term='reporting lo-tech Stephen Farrell'/><category term='Marilyn Langstaff'/><category term='fakes'/><category term='left curve'/><category term='avant garde'/><category term='greg curnoe'/><category term='forgery'/><category term='remix     use'/><category term='manuscript'/><category term='style'/><category term='Zhang Daqian'/><category term='hulu'/><category term='Dickens'/><category term='innovation'/><category term='forest city gallery'/><category term='speech'/><category term='authorship'/><category term='PDN'/><category term='Burroughs'/><category term='china'/><category term='media international australia'/><category term='object conference'/><category term='john oswald'/><category term='john berger'/><category term='lumby unsw hartigan unsw research.centre media'/><category term='modernism'/><category term='restrictions'/><category term='darwin'/><category term='ON THE MEDIA'/><category term='&quot;mp3 blogs&quot; provenance'/><category term='corbis'/><category term='googlebooks'/><category term='UNSW'/><category term='Correlative Analytics'/><category term='analog'/><category term='piracy'/><category term='vidmeter'/><category term='folklife centre'/><category term='ussr'/><category term='information economy'/><category term='&quot;consumption practices&quot;'/><category term='replica'/><category term='1985'/><category term='hypocrisy replicas &quot;copyright dispute&quot; koons'/><category term='personal use'/><category term='censorship'/><category term='cultural studies'/><category term='kevin kopelson'/><category term='lawrence lessig'/><category term='artist-run'/><category term='seeds'/><category term='seed bank'/><category term='artlink'/><category term='copies'/><category term='digital rights'/><category term='licensing'/><category term='media defenders'/><category term='versions'/><category term='digitisation'/><category term='fakes authenticity china reproduction'/><category term='gondry'/><category term='invention'/><category term='NPR'/><category term='imitation'/><category term='travel newspapers distribution'/><category term='collections online'/><category term='cryptomnesia copy imitation knowledge memory'/><category term='copyright character salinger'/><category term='rhizome'/><category term='copying scooped'/><category term='fair syndication attributor'/><category term='photography'/><category term='nsw'/><category term='sound reference centre'/><category term='RIAA'/><category term='brands'/><category term='prayers'/><category term='nbc'/><category term='neo-confusionism'/><category term='Lucas Ihlein'/><category term='no known copyright restrictions'/><category term='blog'/><category term='plagarism'/><category term='fashion'/><category term='hackers'/><category term='wikipedia journalism'/><category term='news corp'/><category term='samizdat'/><category term='listening'/><category term='Stallman'/><category term='Record Collectors'/><category term='little magazines'/><category term='nunberg'/><category term='&quot;networked music&quot;'/><category term='copyright'/><category term='innnovation'/><category term='JMRC UNSW Burgess QUT Flickr Youtube participatory'/><category term='distributed networks'/><category term='dorothea lange'/><category term='sweding'/><category term='&quot;media studies&quot; &quot;New Media and Society&quot; Borschke remix edits disco'/><category term='media consumption'/><category term='plunderphonics'/><category term='open source history'/><category term='house'/><category term='Encyclopédie'/><category term='luxury goods'/><category term='iCommons'/><category term='composition'/><category term='file sharing'/><category term='social media'/><category term='disco edits'/><category term='lawsuits'/><category term='writing'/><category term='analog networks'/><category term='daniel roth'/><category term='distribution'/><category term='format 8-track publicity'/><category term='counterfeits'/><title type='text'>copy culture</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default?start-index=101&amp;max-results=100'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>219</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-20420020.post-7400897899188843227</id><published>2012-01-29T08:15:00.004+11:00</published><updated>2012-01-29T08:38:26.294+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='&quot;consumption practices&quot;'/><category scheme='http://www.blogger.com/atom/ns#' term='&quot;mp3 blogs&quot; provenance'/><category scheme='http://www.blogger.com/atom/ns#' term='&quot;networked music&quot;'/><category scheme='http://www.blogger.com/atom/ns#' term='distribution'/><title type='text'>Ad Hoc Archivists: MP3 bloggers and digital provenance</title><summary type='text'>Now in print and in databases at your local research library: Ad Hoc Archivists: mp3 blogs and digital provenance Continuum: Journal of Media &amp; Cultural StudiesVol. 26, No. 1, February 2012, pp. 1-10Abstract: This paper develops a theoretical framework for understanding mp3 blogging as a form of networked expression. Drawing on a qualitative study of mp3 blogs, this paper sets forth an </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/7400897899188843227/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=7400897899188843227' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/7400897899188843227'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/7400897899188843227'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2012/01/ad-hoc-archivists-mp3-bloggers-and.html' title='Ad Hoc Archivists: MP3 bloggers and digital provenance'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-y8xAIOf_zVo/TyRp9Lmf_3I/AAAAAAAAAJU/5JwmE7gMSec/s72-c/records%2B116.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-7017998982966797355</id><published>2012-01-29T07:49:00.006+11:00</published><updated>2012-01-29T08:14:37.992+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='rhetoric'/><category scheme='http://www.blogger.com/atom/ns#' term='media international australia'/><category scheme='http://www.blogger.com/atom/ns#' term='lawrence lessig'/><category scheme='http://www.blogger.com/atom/ns#' term='&quot;media studies&quot; &quot;New Media and Society&quot; Borschke remix edits disco'/><title type='text'>Rethinking the Rhetoric of remix in Media International Australia</title><summary type='text'>Available now at a research library near you: Rethinking the Rhetoric of RemixMedia International AustraliaNo. 141, pp. 17-25Abstract:  How did 'remix', a post-production technique and compositional form in dance music, come to describe digital culture? Is it an apt metaphor? This article considers the rhetorical use of remix in Lawrence Lessig's case for copyright reform in Remix: Making Art and</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/7017998982966797355/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=7017998982966797355' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/7017998982966797355'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/7017998982966797355'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2012/01/rethinking-rhetoric-of-remix-in-media.html' title='Rethinking the Rhetoric of remix in Media International Australia'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-3sAlFldKFdw/TyRjammpjeI/AAAAAAAAAJI/6pbDXwqnsf4/s72-c/remix-1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-3173718917407401838</id><published>2011-09-15T11:57:00.002+10:00</published><updated>2011-09-15T12:00:58.781+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='disco edits'/><category scheme='http://www.blogger.com/atom/ns#' term='composition'/><category scheme='http://www.blogger.com/atom/ns#' term='authorship'/><category scheme='http://www.blogger.com/atom/ns#' term='innovation'/><category scheme='http://www.blogger.com/atom/ns#' term='listening'/><category scheme='http://www.blogger.com/atom/ns#' term='analog'/><category scheme='http://www.blogger.com/atom/ns#' term='remix     use'/><title type='text'>Now in Print:  Disco Edits and their Discontents in New Media and Society</title><summary type='text'>Now in print:Borschke, Margie (2011) "Disco edits and their discontents: The persistence of the analog in a digital era" New Media &amp; Society September 2011 vol. 13 no. 6 929-944; Published online before print December 6, 2010, doi: 10.1177/1461444810386693 University of New South Wales, Australia, margaret.borschke@unsw.edu.auAbstractThis article foregrounds the distinction between two </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/3173718917407401838/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=3173718917407401838' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3173718917407401838'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3173718917407401838'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2011/09/now-in-print-disco-edits-and-their.html' title='Now in Print:  Disco Edits and their Discontents in New Media and Society'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-6003377089075370551</id><published>2011-02-13T14:07:00.003+11:00</published><updated>2011-02-13T14:19:37.291+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='writing'/><title type='text'>Is all writing copywriting now?</title><summary type='text'>Nate Silver's piece on the New York Time's website, 'The Economics of Blogging and The Huffington Post' makes the following statement:"I’ve also done a fair amount of uncompensated or undercompensated writing — there is certainly a time and a place for it, particularly if you’re trying to establish or re-establish your brand."This conflation of reputation and brand is intriguing. It seems to me </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/6003377089075370551/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=6003377089075370551' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6003377089075370551'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6003377089075370551'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2011/02/is-all-writing-copywriting-now.html' title='Is all writing copywriting now?'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-273273515239364571</id><published>2011-02-09T09:52:00.003+11:00</published><updated>2011-02-09T10:17:36.429+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='reporting lo-tech Stephen Farrell'/><title type='text'>Stealth videography  in Cairo</title><summary type='text'>New York Times foreign correspondent Stephen Farrell describes his pared down kit for stealth reporting at Tahrir Squarehttp://lens.blogs.nytimes.com/2011/02/08/what-not-to-bring-to-tahrir-square/MultimediaLens: What Not to Bring to Tahrir SquareBy By STEPHEN FARRELLPublished: February 8, 2011Less is more for journalists in Cairo, Stephen Farrell reports. Less equipment can mean more access. Or, </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/273273515239364571/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=273273515239364571' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/273273515239364571'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/273273515239364571'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2011/02/stealth-videography-in-cairo.html' title='Stealth videography  in Cairo'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-4673274432092992128</id><published>2011-01-10T11:02:00.003+11:00</published><updated>2011-01-24T10:18:53.169+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='hypocrisy replicas &quot;copyright dispute&quot; koons'/><title type='text'>Don't copy my appropriation, says Jeff Koons</title><summary type='text'>http://www.baycitizen.org/visual-art/story/jeff-koons-sends-cease-and-desist-sfs/Lawyers for artist Jeff Koons sent a letter asking Park Life to stop selling and advertising the balloon dog bookends, return them to some mutually agreed upon address, tell Koons how many have been sold and disclose the maker of said bookends — a fact, Alexander said, that could easily be found via Google.In Twist, </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/4673274432092992128/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=4673274432092992128' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4673274432092992128'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4673274432092992128'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2011/01/dont-copy-my-appropriation-says-jeff.html' title='Don&apos;t copy my appropriation, says Jeff Koons'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KxBu62MRAzw/TSpNkJ6WROI/AAAAAAAAAIk/zgmYmJ-krD8/s72-c/ballondog_orange2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-4146588650352637837</id><published>2010-12-19T13:07:00.003+11:00</published><updated>2010-12-19T13:12:06.737+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='object conference'/><title type='text'>What is an object</title><summary type='text'>I wish I could tele-transport myself to London for "What is an Object?", a one-day conference at the Anna Freud Centre:12 February 20119.30am-5pmWhat is an Object?Day ConferenceAn inter-disciplinary symposiumat the Anna Freud Centre, London NW3Art theory, anthropology, philosophy and psychoanalysis have been brought together by the Freud Museum to wrestle over the deceptively simple question '</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/4146588650352637837/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=4146588650352637837' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4146588650352637837'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4146588650352637837'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2010/12/what-is-object.html' title='What is an object'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8558505662938940372</id><published>2010-12-17T11:34:00.002+11:00</published><updated>2010-12-17T11:37:22.548+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='analog networks'/><title type='text'>The bias of the network and analog activism</title><summary type='text'>Working with the bias of distributed networks sends activists offline.16 December 2010, BBCAnonymous Wikileaks activists move to analogue tactics Bookmark this on Delicious</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8558505662938940372/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8558505662938940372' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8558505662938940372'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8558505662938940372'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2010/12/bias-of-network-and-analog-activism.html' title='The bias of the network and analog activism'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-2643439883722001634</id><published>2010-12-10T11:16:00.006+11:00</published><updated>2010-12-10T11:53:20.332+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='&quot;media studies&quot; &quot;New Media and Society&quot; Borschke remix edits disco'/><title type='text'>Disco Edits and Their Discontents: The Persistence of the Analog in a Digital Era</title><summary type='text'>I'm pleased to announce the online publication of "Disco Edits and Their Discontents: The Persistence of the Analog in a Digital Era", my scholarly consideration of Disco Edits in New Media and Society. (Access via a research library or by subscription. Email me if you don't have access to either.) ******Disco edits and their discontents: The persistence of the analog in a digital eraMargie </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/2643439883722001634/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=2643439883722001634' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2643439883722001634'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2643439883722001634'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2010/12/disco-edits-and-their-discontents.html' title='Disco Edits and Their Discontents: The Persistence of the Analog in a Digital Era'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KxBu62MRAzw/TQFzcBNSX_I/AAAAAAAAAIM/BTze8w51C0c/s72-c/walter_gibbons_1976_tif_big2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-7874569222664942165</id><published>2010-10-24T18:16:00.003+11:00</published><updated>2010-10-24T18:19:21.351+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='copying scooped'/><title type='text'>In Praise of Copying</title><summary type='text'>Marcus Boon's In Praise of Copying from Harvard University Press  Bookmark this on Delicious</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/7874569222664942165/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=7874569222664942165' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/7874569222664942165'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/7874569222664942165'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2010/10/in-praise-of-copying.html' title='In Praise of Copying'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8329817935344643403</id><published>2010-07-16T15:18:00.001+10:00</published><updated>2010-07-16T15:19:20.462+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='greg curnoe'/><category scheme='http://www.blogger.com/atom/ns#' term='artist-run'/><category scheme='http://www.blogger.com/atom/ns#' term='forest city gallery'/><category scheme='http://www.blogger.com/atom/ns#' term='artlink'/><category scheme='http://www.blogger.com/atom/ns#' term='underground music'/><title type='text'>Hiding in Plain Sight: Regionalism and the Underground</title><summary type='text'>An essay I wrote for the special underground issue of Artlink.Borschke, M 2010. "Hiding in Plain Sight: regionalism and the underground". Hiding in plain sight: regionalism and the underground". Artlink 30:2, p32-33.I never really went looking for 'the underground', but as a teenager in the mid 1980s I found one at the top of a steep set of stairs in an artist-run gallery in downtown London, </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8329817935344643403/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8329817935344643403' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8329817935344643403'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8329817935344643403'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2010/07/hiding-in-plain-sight-regionalism-and.html' title='Hiding in Plain Sight: Regionalism and the Underground'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KxBu62MRAzw/TD_psWbl-fI/AAAAAAAAAH4/foPyjckAuoQ/s72-c/dcegallery.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-5168431376060649676</id><published>2010-03-31T13:32:00.004+11:00</published><updated>2010-03-31T13:42:57.781+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='media international australia'/><category scheme='http://www.blogger.com/atom/ns#' term='avant garde'/><category scheme='http://www.blogger.com/atom/ns#' term='review'/><category scheme='http://www.blogger.com/atom/ns#' term='little magazines'/><category scheme='http://www.blogger.com/atom/ns#' term='modernism'/><title type='text'>Media International: Book Notes:  &gt;Little Magazines &amp; Modernism: New Approaches</title><summary type='text'>Media International Australia   Television Comedy and Light EntertainmentNo 134, February 2010Theme Editors: Felicity Collins, Sue Turnbull and Susan Bye Churchill, Suzanne W. and McKible, Adam (eds), Little Magazines &amp; Modernism: New Approaches, Ashgate, Aldershot, 2007, ISBN 9 7807 5466 0149, 292 pp., £55.00.Scholars of modernism have long considered the thousands of little magazines that came </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/5168431376060649676/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=5168431376060649676' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5168431376060649676'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5168431376060649676'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2010/03/media-international-book-notes-little.html' title='Media International: Book Notes:  &gt;Little Magazines &amp; Modernism: New Approaches'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-2647945502663204238</id><published>2010-02-23T11:04:00.002+11:00</published><updated>2010-02-23T11:08:34.593+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='nature'/><category scheme='http://www.blogger.com/atom/ns#' term='imitation'/><category scheme='http://www.blogger.com/atom/ns#' term='darwin'/><category scheme='http://www.blogger.com/atom/ns#' term='bates'/><title type='text'>"analogous resemblances” or “mimetic analogies</title><summary type='text'>Remarkable CreaturesImitators That Hide in Plain Sight, and Stay AliveBy SEAN B. CARROLLPublished: February 16, 2010The New York TimesHenry Walter Bates returned to England in 1859 with 14,000 species from the Amazon, just in time for Darwin’s “On the Origin of Species.”Bates explained to Darwin that he had found many instances in which a completely harmless and potentially edible animal </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/2647945502663204238/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=2647945502663204238' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2647945502663204238'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2647945502663204238'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2010/02/analogous-resemblances-or-mimetic.html' title='&quot;analogous resemblances” or “mimetic analogies'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-290262678315388324</id><published>2010-02-07T10:56:00.003+11:00</published><updated>2010-02-07T10:59:50.994+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='fakes authenticity china reproduction'/><title type='text'>Smash it up until there is nothing left: New found interest in antiques in China</title><summary type='text'>Reactionaries? Make That ‘Collectors’ By DAN LEVINPublished: February 3, 2010The New York TimesCONTESTANT No. 3, a portly man in suspenders named Cui Xiaosong, clutched a golden mallet and gulped like an executioner having second thoughts. As a guest on China’s wildly popular antiques reality show “Collection World,” Mr. Cui knew he might have to get violent before the next commercial break. The </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/290262678315388324/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=290262678315388324' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/290262678315388324'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/290262678315388324'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2010/02/smash-it-up-until-there-is-nothing-left.html' title='Smash it up until there is nothing left: New found interest in antiques in China'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-919108933378084822</id><published>2010-01-25T09:58:00.003+11:00</published><updated>2010-01-25T10:02:48.761+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='innnovation'/><category scheme='http://www.blogger.com/atom/ns#' term='invention'/><category scheme='http://www.blogger.com/atom/ns#' term='intellectuals'/><category scheme='http://www.blogger.com/atom/ns#' term='writing'/><title type='text'>Edward Said  on Inventio as reassembling</title><summary type='text'>Therefore, one invents--in the literal use of the Latin word inventio, employed by rhetoricians to stress finding again or reassembling from past performances, as opposed to the romantic use of invention as something you create from scratch--goals abductively, that is, hypothesizes a better situation from the known historical and social facts. Said, Edward, "The Public Role of Writers and </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/919108933378084822/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=919108933378084822' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/919108933378084822'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/919108933378084822'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2010/01/edward-said-on-inventio-as-reassembling.html' title='Edward Said  on Inventio as reassembling'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-6064036200556863651</id><published>2009-12-07T09:15:00.004+11:00</published><updated>2009-12-07T09:24:11.976+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Morgan Library'/><category scheme='http://www.blogger.com/atom/ns#' term='Dickens'/><category scheme='http://www.blogger.com/atom/ns#' term='digitisation'/><category scheme='http://www.blogger.com/atom/ns#' term='manuscript'/><title type='text'>Only One of its kind: Dickens doubled</title><summary type='text'>Only One of Its Kind...The New York Times has published a digital copy of Charles Dickens Manuscript for A Christmas Carol. The original is in the collection of The Morgan Library in New York City. via http://wardsix.blogspot.com/ Bookmark this on Delicious</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/6064036200556863651/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=6064036200556863651' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6064036200556863651'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6064036200556863651'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2009/12/only-one-of-its-kind-dickens-doubled.html' title='Only One of its kind: Dickens doubled'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-5173713002165262425</id><published>2009-11-25T13:55:00.001+11:00</published><updated>2009-11-25T13:55:52.334+11:00</updated><title type='text'>Double Exposure - Ten Per Cent</title><summary type='text'>Double Exposure - Ten Per CentOriginally uploaded by ElectriqueKingdom</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/5173713002165262425/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=5173713002165262425' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5173713002165262425'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5173713002165262425'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2009/11/double-exposure-ten-per-cent.html' title='Double Exposure - Ten Per Cent'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm4.static.flickr.com/3576/3351587794_e2124faa8b_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-4430190958349842204</id><published>2009-10-26T21:10:00.000+11:00</published><updated>2009-10-26T21:11:50.258+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='replica'/><category scheme='http://www.blogger.com/atom/ns#' term='printing'/><category scheme='http://www.blogger.com/atom/ns#' term='nsw'/><title type='text'>Uncommon Press</title><summary type='text'>Uncommon Press account on Spikehttp://meanjin.com.au/spike-the-meanjin-blog/post/uncommon-press/ Bookmark this on Delicious</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/4430190958349842204/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=4430190958349842204' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4430190958349842204'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4430190958349842204'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2009/10/uncommon-press.html' title='Uncommon Press'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-4302338040462016684</id><published>2009-09-04T10:57:00.001+10:00</published><updated>2009-09-04T10:59:28.803+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cryptomnesia copy imitation knowledge memory'/><title type='text'>cryptomnesia and plagarism</title><summary type='text'>You Didn’t Plagiarize, Your Unconscious DidIs cryptomnesia—copying the work of others without being aware of it—to blame for journalism's ultimate sin? Um, maybe not.By Russ Juskalian | Newsweek Web Exclusive Jul 7, 2009Henry Roediger, a memory expert at Washington University in St. Louis, said that cryptomnesia is partially caused by the lopsidedness of our memories: it's easier to remember </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/4302338040462016684/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=4302338040462016684' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4302338040462016684'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4302338040462016684'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2009/09/cryptomnesia-and-plagarism.html' title='cryptomnesia and plagarism'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-6107078696112657477</id><published>2009-09-04T09:45:00.002+10:00</published><updated>2009-09-04T10:07:10.046+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='googlebooks'/><category scheme='http://www.blogger.com/atom/ns#' term='nunberg'/><title type='text'>Nunberg on Google Book's Meta-data Disaster</title><summary type='text'>Google's Book Search: A Disaster for ScholarsBy Geoffrey NunbergThe Chronicle of Higher Education-August 31, 2009Seen in that light, the quality of Google's book search will be measured by how well it supports the familiar activity that we have come to think of as "googling," in tribute to the company's specialty: entering in a string of keywords in an effort to locate specific information, like </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/6107078696112657477/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=6107078696112657477' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6107078696112657477'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6107078696112657477'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2009/09/nunberg-on-google-books-meta-data.html' title='Nunberg on Google Book&apos;s Meta-data Disaster'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8083707301659394999</id><published>2009-08-13T09:32:00.000+10:00</published><updated>2009-08-13T09:35:04.591+10:00</updated><title type='text'>McCartney on Imitation and Originality</title><summary type='text'>McCartney’s own musical beginnings weren’t too different from picking up Rock Band and pretending to be a star, he pointed out. “I emulated Buddy Holly, Little Richard, Jerry Lee Lewis, Elvis. We all did.” The group might have kept going that way, he said, except that they’d find themselves backstage, “and we’d hear our complete set being played by the band before us.” That’s the reason, he said,</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8083707301659394999/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8083707301659394999' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8083707301659394999'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8083707301659394999'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2009/08/mccartney-on-imitation-and-originality.html' title='McCartney on Imitation and Originality'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-5929186733378009348</id><published>2009-07-08T08:14:00.001+10:00</published><updated>2009-07-08T08:17:58.966+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='triplicate distribution'/><title type='text'>Distributing the risk (pre-pirate bay)</title><summary type='text'>http://www.theaustralian.news.com.au/story/0,25197,25739026-2703,00.htmlThe project began 44 years ago with Michael Samuels, then Professor of English Language at the University of Glasgow. Several of the project's founders have since died.His team began transcribing information from the 20-volume Oxford English Dictionary (OED) on to slips of paper.They plugged away for more than a decade, and </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/5929186733378009348/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=5929186733378009348' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5929186733378009348'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5929186733378009348'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2009/07/distributing-risk-pre-pirate-bay.html' title='Distributing the risk (pre-pirate bay)'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8012310241293319812</id><published>2009-07-08T08:11:00.002+10:00</published><updated>2009-07-08T08:14:01.892+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='travel newspapers distribution'/><title type='text'>Distributing the out-of-the way town</title><summary type='text'>David Farley on the perils of travel writing“Is that a good article?” I asked.“I wouldn’t have come here if I hadn’t seen this in my local paper,” the woman from Houston said. It turned out, the article went out on the Times’ wire service and was picked up by a dozen or so other newspapers. There was even an article about my article in La Stampa, the daily newspaper of Turin. In the coming weeks,</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8012310241293319812/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8012310241293319812' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8012310241293319812'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8012310241293319812'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2009/07/distributing-out-of-way-town.html' title='Distributing the out-of-the way town'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-3322605774236001034</id><published>2009-07-05T18:59:00.002+10:00</published><updated>2009-07-05T19:10:52.595+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='copyright character salinger'/><title type='text'>Holden Caufield meet Dorian Grey</title><summary type='text'>"A lawyer for Mr. Salinger, Marcia B. Paul, told Judge Batts that the author had a right to keep Holden Caulfield “frozen in time” for the life of his copyright." (via Clyde Haberman's "‘Rye’ Dispute Is Gateway to City’s Past" Judge Rules for J.D. Salinger in ‘Catcher’ Copyright SuitBy SEWELL CHANPublished: July 2, 2009A federal judge banned publication in the United States of a book containing a</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/3322605774236001034/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=3322605774236001034' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3322605774236001034'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3322605774236001034'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2009/07/holden-caufield-meet-dorian-grey.html' title='Holden Caufield meet Dorian Grey'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-5326889009879990412</id><published>2009-07-05T18:55:00.003+10:00</published><updated>2009-07-05T18:58:23.705+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='format 8-track publicity'/><title type='text'>Cheap Trick release new album on 8-track</title><summary type='text'>Cheap Trick adventures with 8-track in 2009!Globe &amp; Mail's Report</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/5326889009879990412/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=5326889009879990412' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5326889009879990412'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5326889009879990412'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2009/07/cheap-trick-release-new-album-on-8.html' title='Cheap Trick release new album on 8-track'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-1575988498093774830</id><published>2009-04-22T12:10:00.003+10:00</published><updated>2009-04-22T12:37:43.195+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='fair syndication attributor'/><title type='text'>Fair Syndication and copied content</title><summary type='text'>It's unfortunate that the authors equated 'copied' with 'stolen' but Attributor's idea seems fair at first glance if it allows for the following:1. It facilitates social distribution, that is, the reposting of entire articles without having to seek permission2. It allows blogger to profit from their aggregating or curating activities while creating a simple solution for any ad revenues generated </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/1575988498093774830/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=1575988498093774830' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1575988498093774830'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1575988498093774830'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2009/04/fair-syndication-and-copied-content.html' title='Fair Syndication and copied content'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8027128640440018532</id><published>2009-01-05T13:17:00.001+11:00</published><updated>2009-01-05T13:19:55.767+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UNSW'/><title type='text'>'Archival Auteurs' at the UNSW Creative Media Conference</title><summary type='text'>Research ShowcasesCreative Media Showcase &amp; Energy ShowcaseThe Deputy Vice Chancellor (Research), Professor Les Field, has announced the winners of the Presentation and Poster Prizes for the Creative Media Research Showcase and the Energy Research Showcase.The quality of the all presentations was exceptionally high and he thanked all those who had contributed to the success of the showcases. Both</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8027128640440018532/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8027128640440018532' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8027128640440018532'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8027128640440018532'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2009/01/archival-auteurs-at-unsw-creative-media.html' title='&apos;Archival Auteurs&apos; at the UNSW Creative Media Conference'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-5944387004770861289</id><published>2008-12-23T08:39:00.005+11:00</published><updated>2008-12-23T09:02:43.901+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><category scheme='http://www.blogger.com/atom/ns#' term='news corp'/><category scheme='http://www.blogger.com/atom/ns#' term='pirate bay'/><category scheme='http://www.blogger.com/atom/ns#' term='licensing'/><category scheme='http://www.blogger.com/atom/ns#' term='nbc'/><category scheme='http://www.blogger.com/atom/ns#' term='hulu'/><title type='text'>Hulu, huh?</title><summary type='text'>AP Reporter Jake Coyle named Hulu.com, a video streaming site backed by NBC and News Corp, best web site of the year.I can't comment on the reporter's pick as I've never seen the site--it is only available for streaming in the USA.Given this failure to work with the *world wide* nature of the web, holding Hulu up as a model of "how professional content can thrive on the Web" is problematic. I'm </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/5944387004770861289/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=5944387004770861289' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5944387004770861289'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5944387004770861289'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/12/hulu-huh.html' title='Hulu, huh?'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-2753892776830249433</id><published>2008-11-17T08:51:00.004+11:00</published><updated>2008-11-17T09:00:06.536+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kerouac'/><category scheme='http://www.blogger.com/atom/ns#' term='imitation'/><category scheme='http://www.blogger.com/atom/ns#' term='Burroughs'/><category scheme='http://www.blogger.com/atom/ns#' term='style'/><title type='text'>And the Hippos were Boiled in their Tanks</title><summary type='text'>Michiko Kakutani, writin in The New York Times on Jack Kerouac and William S. Burroughs' early collaboration: The best thing about this collaboration between Jack Kerouac and William S. Burroughs is its gruesomely comic title: “And the Hippos Were Boiled in Their Tanks,” a phrase the two writers said they once heard on a radio broadcast about a circus fire.Kerouac, writing in the persona of Mike </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/2753892776830249433/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=2753892776830249433' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2753892776830249433'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2753892776830249433'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/11/and-hippos-were-boiled-in-their-tanks.html' title='And the Hippos were Boiled in their Tanks'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8907957336736787503</id><published>2008-11-11T07:30:00.001+11:00</published><updated>2008-11-11T07:34:22.411+11:00</updated><title type='text'>Google to e-publish out-of-print books</title><summary type='text'>Google Signs Deal to e-Publish out-of-print booksBook Publishers Take Leaps Into DigitalBy ERIC PFANNERPublished: New York TimesNovember 10, 2008</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8907957336736787503/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8907957336736787503' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8907957336736787503'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8907957336736787503'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/11/google-to-e-publish-out-of-print-books.html' title='Google to e-publish out-of-print books'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-3542390889263281892</id><published>2008-11-03T10:20:00.000+11:00</published><updated>2008-11-03T10:20:50.913+11:00</updated><title type='text'>Two Bits</title><summary type='text'>Two Bits</summary><link rel='related' href='http://twobits.net/' title='Two Bits'/><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/3542390889263281892/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=3542390889263281892' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3542390889263281892'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3542390889263281892'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/11/two-bits.html' title='Two Bits'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-5616168296451870584</id><published>2008-09-18T10:53:00.005+10:00</published><updated>2008-09-18T11:06:54.086+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='JMRC UNSW Burgess QUT Flickr Youtube participatory'/><title type='text'>Flickr vs youtube: competing models oF Participatory culture</title><summary type='text'>Seminar – Journalism and Media Research CentreTitle: JMRC 2008 Seminar SeriesDr Jean BurgessPost-doctoral FellowQueensland University of TechnologyDate: 18/9/2008Time: 4-6pmLocation: Room 127, Goodsell Building, UNSWNotesWhether celebratory or critical, too much scholarly discussion of 'Web 2.0' and participatory culture fails to fully engage with the specificity of the branded online communities</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/5616168296451870584/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=5616168296451870584' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5616168296451870584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5616168296451870584'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/09/flickr-vs-youtube-competing-models-of.html' title='Flickr vs youtube: competing models oF Participatory culture'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8500419823872355665</id><published>2008-09-18T10:53:00.003+10:00</published><updated>2008-09-18T11:03:39.215+10:00</updated><title type='text'>Photography &amp; the Transformation of Culture @ UTS</title><summary type='text'>Last night, I attended Prof Christopher Pinney's talk, Photography &amp; the Transformation of Cultures.  The lecture was a part Transforming Cultures. He spoke at great length about photography as an event but I kept having a nagging question about both the specificity and multiplicity of the print.  I look forward to reading the longer version of the paper.</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8500419823872355665/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8500419823872355665' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8500419823872355665'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8500419823872355665'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/09/photography-transformation-of-culture.html' title='Photography &amp; the Transformation of Culture @ UTS'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KxBu62MRAzw/SNGnekdO1YI/AAAAAAAAAG4/VPLDcn7jxmI/s72-c/ChrisPinneyimage2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-4804765780575488264</id><published>2008-09-11T11:29:00.002+10:00</published><updated>2008-09-11T11:48:23.590+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='lumby unsw hartigan unsw research.centre media'/><title type='text'>UNSW's Journalism and Media Research Centre launched</title><summary type='text'>The press release and footage from the new Journalism and Media Research Centre where I am working on my PhD:News Ltd chief opens UNSW Centre5th September 2008The Chairman and CEO of News Limited has told a gathering of media insiders and researchers that there is a growing need for relevant, high quality research into the media, during a period of great change in the industry.Speaking at the </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/4804765780575488264/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=4804765780575488264' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4804765780575488264'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4804765780575488264'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/09/unsws-journalism-and-media-research.html' title='UNSW&apos;s Journalism and Media Research Centre launched'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-3093701238203562525</id><published>2008-08-24T11:19:00.002+10:00</published><updated>2008-08-24T11:21:50.581+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='left curve'/><category scheme='http://www.blogger.com/atom/ns#' term='john berger'/><title type='text'>John Berger's Twelve Theses on the Economy of the Dead</title><summary type='text'>Twelve Theses on the Economy of the Deadby John Bergerfrom Left Curve, 311. The dead surround the living. The living are the core of the dead.In this core are the dimensions of time and space.What surrounds the core is timelessness.2. Between the core and its surrundings there are exchanges, which are notusually clear. All religions have been concerned with making them clearer.The credibility of </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/3093701238203562525/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=3093701238203562525' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3093701238203562525'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3093701238203562525'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/08/john-bergers-twelve-theses-on-economy.html' title='John Berger&apos;s Twelve Theses on the Economy of the Dead'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8474668636040261113</id><published>2008-08-07T15:01:00.000+10:00</published><updated>2008-08-07T15:01:38.642+10:00</updated><title type='text'>The Dead Media Project</title><summary type='text'>The Dead Media Project</summary><link rel='related' href='http://www.deadmedia.org/' title='The Dead Media Project'/><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8474668636040261113/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8474668636040261113' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8474668636040261113'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8474668636040261113'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/08/dead-media-project.html' title='The Dead Media Project'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8214123049419519886</id><published>2008-08-03T10:10:00.002+10:00</published><updated>2008-08-03T10:14:25.076+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='the producers'/><category scheme='http://www.blogger.com/atom/ns#' term='authorship'/><category scheme='http://www.blogger.com/atom/ns#' term='audience'/><title type='text'>Uppity Audiences and the Crisis of Author(ity)</title><summary type='text'>"You'll Shut up. You're the Audience. I am the author.  I outrank you!"World's Worst Playright Franz Liebkind in The Producers</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8214123049419519886/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8214123049419519886' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8214123049419519886'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8214123049419519886'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/08/uppity-audiences-and-crisis-of.html' title='Uppity Audiences and the Crisis of Author(ity)'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8109563338053573623</id><published>2008-07-22T11:17:00.006+10:00</published><updated>2008-07-22T11:43:03.598+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='house'/><category scheme='http://www.blogger.com/atom/ns#' term='dj'/><title type='text'>And this is fresh...</title><summary type='text'>Excerpts fromThe DJs They Couldn’t Hangby Stuart CosgroveOriginally published in the NME, August 9, 1986 (See whole story in the archives at DJhistory.com)House music is dedicated. There are one or two releases which have the familiarity that hit records depend on, but most of them are for the dedicated. It is meta-music, a sound that constantly refers outwards to other soundsHouse music is far </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8109563338053573623/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8109563338053573623' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8109563338053573623'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8109563338053573623'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/07/and-this-is-fresh.html' title='And this is fresh...'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_KxBu62MRAzw/SIU4blMLSAI/AAAAAAAAAFM/cfY5ak3HO2U/s72-c/nmeTOP.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-3769116677112213720</id><published>2008-07-21T10:49:00.001+10:00</published><updated>2008-07-21T10:51:42.909+10:00</updated><title type='text'>Lethem on Copyright as Art</title><summary type='text'>From  Copy This Book, an interview with Jonathan Lethem in Wired, 04.19.07"I wanted to say any artist could make up their own way of dealing with copyright," Lethem explains. "I wanted to possess the activity. Some novelists have already done that by using Creative Commons licenses. But I'm saying we can make up a new set of rules every time we offer something to the world. Artists should take </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/3769116677112213720/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=3769116677112213720' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3769116677112213720'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3769116677112213720'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/07/lethem-on-copyright-as-art.html' title='Lethem on Copyright as Art'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-3164319996911667220</id><published>2008-07-20T19:49:00.004+10:00</published><updated>2008-07-20T20:07:13.642+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='social media'/><category scheme='http://www.blogger.com/atom/ns#' term='printing'/><title type='text'>Artist-run print co-ops Fag and Fagette</title><summary type='text'>Sydney-based Artist-run printing co-operatives Big Fag and Fagette in Throw Shapes:THE BIG FAG PRESS IS A NOT-FOR-PROFIT CO-OPERATIVE. YOU ARE NOT A CLIENT. YOU ARE A PARTICIPANT. THERE IS NO GUARANTEE OF A PROFESSIONAL OUTCOME.Thus warns the brochure for the FAG 104, a huge old offset proof printing machine which an Alexandria-based artist collective snapped up at a liquidation auction five </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/3164319996911667220/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=3164319996911667220' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3164319996911667220'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3164319996911667220'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/07/artist-run-print-co-ops-fag-and-fagette.html' title='Artist-run print co-ops Fag and Fagette'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KxBu62MRAzw/SIMNtfNvXwI/AAAAAAAAAE8/W5SaoS3yKlE/s72-c/04_page_2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-1007855604870288239</id><published>2008-07-18T15:03:00.004+10:00</published><updated>2008-07-20T20:20:26.535+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1985'/><category scheme='http://www.blogger.com/atom/ns#' term='john oswald'/><category scheme='http://www.blogger.com/atom/ns#' term='plunderphonics'/><title type='text'>Plunderphonics, or Audio Piracy as a Compositional Prerogative</title><summary type='text'>John Oswald's essay from 1985.  File under the more things change, the more they stay the same."Plunderphonics, or Audio Piracy as a Compositional Prerogative"- as presented by John Oswald to the Wired Society Electro-Acoustic Conference in Toronto in 1985.Musical instruments produce sounds. Composers produce music. Musical instruments reproduce music. Tape recorders, radios, disc players, etc., </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/1007855604870288239/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=1007855604870288239' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1007855604870288239'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1007855604870288239'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/07/plunderphonics-or-audio-piracy-as.html' title='Plunderphonics, or Audio Piracy as a Compositional Prerogative'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KxBu62MRAzw/SIMPOOqGumI/AAAAAAAAAFE/IBLgCsyFn98/s72-c/freeb_poster_triangulo2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-5519495253895858636</id><published>2008-07-15T09:28:00.000+10:00</published><updated>2008-07-15T09:30:07.171+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='kevin kelly'/><category scheme='http://www.blogger.com/atom/ns#' term='Correlative Analytics'/><title type='text'>Kevin Kelly on The Google Way of Science</title><summary type='text'>http://www.kk.org/thetechnium/archives/2008/06/the_google_way.phpSo far Correlative Analytics, or the Google Way of Science, has primarily been deployed in sociological realms, like language translation, or marketing. That's where the zillionic data has been. All those zillions of data points generated by our collective life online. But as more of our observations and measurements of nature are </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/5519495253895858636/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=5519495253895858636' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5519495253895858636'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5519495253895858636'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/07/kevin-kelly-on-google-way-of-science.html' title='Kevin Kelly on The Google Way of Science'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-5529170700425823345</id><published>2008-07-14T19:10:00.004+10:00</published><updated>2008-07-14T19:33:54.101+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='authorship'/><category scheme='http://www.blogger.com/atom/ns#' term='prayers'/><category scheme='http://www.blogger.com/atom/ns#' term='oral'/><title type='text'>Who Penned 'Serenity' Now?</title><summary type='text'>Who wrote the Serenity Prayer?The inspiring text -- long attributed to an eminent theologian -- may have deeper roots than we thought.Yale Alumni MagazineJuly/August 2008by Fred R. ShapiroFolklorists regard variant versions of a text as evidence of a descent that has not been fixed by writing and print. Sayings with this kind of variation may be proverbial, the circumstances of their coinage </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/5529170700425823345/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=5529170700425823345' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5529170700425823345'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5529170700425823345'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/07/who-penned-serenity-now.html' title='Who Penned &apos;Serenity&apos; Now?'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-2299219788471356987</id><published>2008-07-09T08:25:00.002+10:00</published><updated>2008-07-09T08:32:58.528+10:00</updated><title type='text'>Copies, Aura and the Caves of Dunhuang</title><summary type='text'>Buddha’s CavesBy HOLLAND COTTERPublished: July 6, 2008The New York TimesOn the lip of the Gobi Desert, sand and tourists threaten Mogaoku’s singular art.(with slideshow)Plans for drastic remedial action are in place. Under Dr. Fan and the vice director, Wang Xudong, the academy will build by 2011 a new visitor reception center several miles from the caves, near the airport and railroad station. </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/2299219788471356987/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=2299219788471356987' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2299219788471356987'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2299219788471356987'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/07/copies-aura-and-caves-of-dunhuang.html' title='Copies, Aura and the Caves of Dunhuang'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KxBu62MRAzw/SHPpii62w8I/AAAAAAAAAEk/jJpI3OVgjYY/s72-c/23818311.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-3209916597208469805</id><published>2008-07-08T09:43:00.005+10:00</published><updated>2008-07-08T14:11:50.653+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='quotation'/><category scheme='http://www.blogger.com/atom/ns#' term='plagarism'/><category scheme='http://www.blogger.com/atom/ns#' term='kevin kopelson'/><title type='text'>Love and Theft: Kevin Kopelson's Confessions of a Re-creative in LRB</title><summary type='text'>Kevin Kopelson's Diary in The London Review of Books, May 22, 2008:DiaryKevin Kopelson    In his book Von der Einheit der Musik [‘The Oneness of Music’], Ferruccio Busoni devoted about one and a half pages to the piano under the heading: ‘Man achte das Klavier’ [‘Respect the piano!’]. In a highly laconic and perfected style he gives such a clear and accurate description of the piano’s </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/3209916597208469805/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=3209916597208469805' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3209916597208469805'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3209916597208469805'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/07/love-and-theft-kevin-kopelsons.html' title='Love and Theft: Kevin Kopelson&apos;s Confessions of a Re-creative in LRB'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-6982066128615013833</id><published>2008-07-05T11:04:00.004+10:00</published><updated>2008-07-05T11:14:45.645+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Encyclopédie'/><category scheme='http://www.blogger.com/atom/ns#' term='Voltaire'/><category scheme='http://www.blogger.com/atom/ns#' term='Shakespeare folios'/><category scheme='http://www.blogger.com/atom/ns#' term='distributed networks'/><category scheme='http://www.blogger.com/atom/ns#' term='copies'/><title type='text'>Robert Darnton, The Library in the New Age</title><summary type='text'>From The Library in the New Age, Robert DarntonNew York Review of Books, June 12, 2008Information has never been stable. That may be a truism, but it bears pondering. It could serve as a corrective to the belief that the speedup in technological change has catapulted us into a new age, in which information has spun completely out of control. I would argue that the new information technology </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/6982066128615013833/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=6982066128615013833' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6982066128615013833'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6982066128615013833'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/07/robert-darnton-library-in-new-age.html' title='Robert Darnton, The Library in the New Age'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-993139735154208623</id><published>2008-07-04T09:42:00.003+10:00</published><updated>2008-07-04T10:12:38.273+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='unpredictability'/><category scheme='http://www.blogger.com/atom/ns#' term='duncan watts'/><title type='text'>Randomness of Trends</title><summary type='text'>From "Is the Tipping Point Toast" by Clive Thompson in Fast Company February, 2008Actually, if you believe [Duncan] Watts, the world isn't just complex--it's practically anarchic. In 2006, he performed another experiment that chilled the blood of trendologists. Trends, it suggested, aren't merely hard to predict and engineer--they occur essentially at random.Watts wanted to find out whether the </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/993139735154208623/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=993139735154208623' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/993139735154208623'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/993139735154208623'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/07/randomness-of-trends.html' title='Randomness of Trends'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-726171273667002003</id><published>2008-07-03T08:31:00.001+10:00</published><updated>2008-07-03T08:36:13.915+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='folklife centre'/><category scheme='http://www.blogger.com/atom/ns#' term='sound reference centre'/><category scheme='http://www.blogger.com/atom/ns#' term='library of congress'/><title type='text'>Library Adds Major Media Collection - The Library Today (Library of Congress)</title><summary type='text'>Library Adds Major Media Collection - The Library Today (Library of Congress)Contact for Tony Schwartz collection at Library of CongressUsing the Recorded Sound Reference CentreAmerican Folklife Centre</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/726171273667002003/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=726171273667002003' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/726171273667002003'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/726171273667002003'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/07/library-adds-major-media-collection.html' title='Library Adds Major Media Collection - The Library Today (Library of Congress)'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-1099295558202642731</id><published>2008-07-03T08:15:00.003+10:00</published><updated>2008-07-03T08:24:03.876+10:00</updated><title type='text'>Tony Schwartz profile by The Kitchen Sisters</title><summary type='text'>Aired June 27, 2008 on WNYC's On the MediaThe Listening LifeJune 27, 2008In his 84 years Tony Schwartz produced over 30,000 recordings, thousands of groundbreaking political ads, media theory books and Broadway sound design, invented the portable recorder, delivered hundreds of lectures and had full careers as an ad executive and a pioneering folklorist. And he did it all without leaving his zip </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/1099295558202642731/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=1099295558202642731' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1099295558202642731'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1099295558202642731'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/07/tony-schwartz-profile-by-kitchen.html' title='Tony Schwartz profile by The Kitchen Sisters'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-3672581100974421211</id><published>2008-06-19T12:51:00.002+10:00</published><updated>2008-06-19T13:27:23.917+10:00</updated><title type='text'>Shuffling Roles: The challenge of music culture to the music industry</title><summary type='text'>Insight Discussion about Downloading Music  June 3, 2008Insight's roundtable discussion on the effect of new technologies on the music industry fails to ask the bigger question of the effects of new technologies on music cultures. The banter stays pretty close to the point of sale until Jordan Front-Hodson  starts talking about his experience.JENNY BROCKIE: Jordan, what would make you pay?JORDAN </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/3672581100974421211/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=3672581100974421211' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3672581100974421211'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3672581100974421211'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/06/shuffling-roles-challenge-of-music.html' title='Shuffling Roles: The challenge of music culture to the music industry'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-4480799313544004490</id><published>2008-06-18T21:59:00.001+10:00</published><updated>2008-06-18T22:08:31.889+10:00</updated><title type='text'>The Flying Lizards - articles - Option, 1996</title><summary type='text'>The Flying Lizards - articles - Option, 1996: "'More and more, I begin to think that music in this century is becoming a music about occasion, about people coming together, about space, about human activity,' he continues. 'I don't see records as being so relevant to that. The rave movement in Britain is a kind of interesting subversion of the record industry in a way that punk never succeeded.'"</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/4480799313544004490/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=4480799313544004490' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4480799313544004490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4480799313544004490'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/06/flying-lizards-articles-option-1996.html' title='The Flying Lizards - articles - Option, 1996'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KxBu62MRAzw/SFj6VcSuovI/AAAAAAAAACM/lAfeyxInaK8/s72-c/flyinglizards8track2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-2832458401492562659</id><published>2008-06-17T18:37:00.000+10:00</published><updated>2008-06-17T18:37:21.993+10:00</updated><title type='text'>The Associated Press to Set Guidelines for Using Its Articles in Blogs - NYTimes.com</title><summary type='text'>The Associated Press to Set Guidelines for Using Its Articles in Blogs - NYTimes.comJune 16, 2008The Associated Press to Set Guidelines for Using Its Articles in BlogsBy SAUL HANSELLThe Associated Press, one of the nation’s largest news organizations, said that it will, for the first time, attempt to define clear standards as to how much of its articles and broadcasts bloggers and Web sites can </summary><link rel='related' href='http://www.nytimes.com/2008/06/16/business/media/16ap.html?emc=tnt&amp;tntemail1=y' title='The Associated Press to Set Guidelines for Using Its Articles in Blogs - NYTimes.com'/><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/2832458401492562659/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=2832458401492562659' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2832458401492562659'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2832458401492562659'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/06/associated-press-to-set-guidelines-for.html' title='The Associated Press to Set Guidelines for Using Its Articles in Blogs - NYTimes.com'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8908875781992196863</id><published>2008-06-17T13:37:00.000+10:00</published><updated>2008-06-17T13:37:51.245+10:00</updated><title type='text'>Gin, Television, and Social Surplus - Here Comes Everybody</title><summary type='text'>Gin, Television, and Social Surplus - Here Comes Everybody</summary><link rel='related' href='http://www.shirky.com/herecomeseverybody/2008/04/looking-for-the-mouse.html' title='Gin, Television, and Social Surplus - Here Comes Everybody'/><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8908875781992196863/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8908875781992196863' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8908875781992196863'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8908875781992196863'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/06/gin-television-and-social-surplus-here.html' title='Gin, Television, and Social Surplus - Here Comes Everybody'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-4779256181764644542</id><published>2008-06-12T08:57:00.001+10:00</published><updated>2008-06-12T09:02:40.745+10:00</updated><title type='text'>Anna Davis &amp; Jason Gee | MIC Toi Rerehiko</title><summary type='text'>Anna Davis &amp; Jason Gee | MIC Toi RerehikoAnna Davis and Jason Gee, Bioheads (2005-2008)Data is meaningless. Ones and zeros judge nothing. Puppets need masters. But still, when we encounter Anna Davis and Jason Gee’s Bioheads, digitally-animated ventriloquist dolls that sing pop songs and spit out psychobabble, we’re not exactly sure whose lips are moving.Davis and Gee download the digital </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/4779256181764644542/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=4779256181764644542' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4779256181764644542'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4779256181764644542'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/06/anna-davis-jason-gee-mic-toi-rerehiko.html' title='Anna Davis &amp; Jason Gee | MIC Toi Rerehiko'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-530966085032440508</id><published>2008-06-12T08:51:00.000+10:00</published><updated>2008-06-12T08:51:41.963+10:00</updated><title type='text'>The Atlantic Online | July/August 2008 | Is Google Making Us Stupid? | Nicholas Carr</title><summary type='text'>The Atlantic Online | July/August 2008 | Is Google Making Us Stupid? | Nicholas Carr Sometime in 1882, Friedrich Nietzsche bought a typewriter—a Malling-Hansen Writing Ball, to be precise. His vision was failing, and keeping his eyes focused on a page had become exhausting and painful, often bringing on crushing headaches. He had been forced to curtail his writing, and he feared that he would </summary><link rel='related' href='http://www.theatlantic.com/doc/print/200807/google' title='The Atlantic Online | July/August 2008 | Is Google Making Us Stupid? | Nicholas Carr'/><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/530966085032440508/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=530966085032440508' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/530966085032440508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/530966085032440508'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/06/atlantic-online-julyaugust-2008-is.html' title='The Atlantic Online | July/August 2008 | Is Google Making Us Stupid? | Nicholas Carr'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8385567299679770664</id><published>2008-05-08T07:05:00.000+10:00</published><updated>2008-05-08T07:05:19.725+10:00</updated><title type='text'>Are re-edits the real revenge of disco? | Music | Guardian Unlimited</title><summary type='text'>Are re-edits the real revenge of disco? | Music | Guardian Unlimited: "Ron Hardy was spinning in Chicago's proto-house club The Music Box than anything we've heard in house music clubs this past decade. Maybe disco didn't require retribution after all, perhaps it just needed time?..."Over the last six months it's become the main genre we sell," says Simon Rigg, manager of London dance music </summary><link rel='related' href='http://blogs.guardian.co.uk/music/2008/05/are_reedits_the_real_revenge_o.html' title='Are re-edits the real revenge of disco? | Music | Guardian Unlimited'/><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8385567299679770664/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8385567299679770664' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8385567299679770664'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8385567299679770664'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/05/are-re-edits-real-revenge-of-disco.html' title='Are re-edits the real revenge of disco? | Music | Guardian Unlimited'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8187532502172189220</id><published>2008-04-04T09:18:00.007+11:00</published><updated>2008-04-04T14:12:13.964+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='counterfeits'/><category scheme='http://www.blogger.com/atom/ns#' term='fashion'/><title type='text'>The cultural cachet of the fake bag</title><summary type='text'>It wasn't so long ago that the fashion editors at high-fashion titles were letting readers in on a little secret: the cool kids were either picking up "fake" bags for $20 on Canal Street or putting their name on lists for meticulously handmade it-bags. Both fashions were decidedly about money.  The latter was a case of conspicuous consumption made palatable for upper middle class values  by </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8187532502172189220/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8187532502172189220' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8187532502172189220'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8187532502172189220'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/04/cultural-cachet-of-fake-bag.html' title='The cultural cachet of the fake bag'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KxBu62MRAzw/R_WbQUxTqeI/AAAAAAAAACE/WWhwAWBhncA/s72-c/monogramouflage-01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-7697757006547882688</id><published>2008-03-23T18:42:00.003+11:00</published><updated>2008-03-23T19:18:10.488+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='daniel roth'/><category scheme='http://www.blogger.com/atom/ns#' term='pirate bay'/><category scheme='http://www.blogger.com/atom/ns#' term='piracy'/><category scheme='http://www.blogger.com/atom/ns#' term='media defenders'/><category scheme='http://www.blogger.com/atom/ns#' term='file sharing'/><category scheme='http://www.blogger.com/atom/ns#' term='hackers'/><title type='text'>The Pirates Can't Be Stopped in Portfolio</title><summary type='text'>Daniel Roth's excellent piece "The Pirates Can't be Stopped" in Portfolio.  He also discussed the story on NPR's On the Radio (full transcript.Yet it has been difficult to quantify the damage supposedly wreaked by downloading. In mid-2007, economists Felix Oberholzer-Gee, from Harvard, and Koleman Strumpf, from the University of Kansas, published the results of their study analyzing the effect of</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/7697757006547882688/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=7697757006547882688' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/7697757006547882688'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/7697757006547882688'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/03/pirates-cant-be-stopped-in-portfolio.html' title='The Pirates Can&apos;t Be Stopped in Portfolio'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-5397168916363303258</id><published>2008-03-17T15:48:00.005+11:00</published><updated>2008-03-17T15:54:18.345+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='samizdat'/><category scheme='http://www.blogger.com/atom/ns#' term='censorship'/><category scheme='http://www.blogger.com/atom/ns#' term='ussr'/><title type='text'>Samizdat, Magnitizdat and how individuals overcame state censorship with private copies</title><summary type='text'>A Book review from the New York Times, March 24, 1985 NEXT, MAGNITIZDATBy JERI LABER; JERI LABER IS THE EXECUTIVE DIRECTOR OF HELSINKI WATCH.Published: March 24, 1985BEHIND THE LINESThe Private War Against Soviet Censorship. By Donald R. Shanor. 179 pp. New York: St. Martin's Press. $13.95.FACED with a revolution in technology that is rapidly transforming the industrialized world, the leaders of </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/5397168916363303258/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=5397168916363303258' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5397168916363303258'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5397168916363303258'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/03/samizdat-magnitizdat-and-how.html' title='Samizdat, Magnitizdat and how individuals overcame state censorship with private copies'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-2346296801332304783</id><published>2008-03-15T09:44:00.003+11:00</published><updated>2008-03-15T09:57:05.679+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='copyright'/><category scheme='http://www.blogger.com/atom/ns#' term='news'/><category scheme='http://www.blogger.com/atom/ns#' term='PDN'/><category scheme='http://www.blogger.com/atom/ns#' term='Fair Use'/><title type='text'>A report on MySpace profile pic used in news stories</title><summary type='text'>From Photo District Newshttp://www.pdnonline.com/pdn/newswire/article_display.jsp?vnu_content_id=1003725145March 13, 2008By Daryl LangWhen a prostitute hired by former New York Gov. Eliot Spitzer was identified Wednesday, news outlets eagerly published photos grabbed from her MySpace profile.Can they get away with that?Three attorneys who specialize in copyright law say media organizations are </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/2346296801332304783/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=2346296801332304783' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2346296801332304783'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2346296801332304783'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/03/report-on-myspace-profile-pic-used-in.html' title='A report on MySpace profile pic used in news stories'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-6265002275591804321</id><published>2008-02-29T08:04:00.005+11:00</published><updated>2008-02-29T08:20:03.772+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='seeds'/><category scheme='http://www.blogger.com/atom/ns#' term='seed bank'/><title type='text'>Grain.org on the opening of a Global Seed Repository</title><summary type='text'>Dot Earth Entry in the New York Times on the opening of the The Svalbard Global Seed Vault  in Norway.http://dotearth.blogs.nytimes.com/2008/02/26/buried-seed-vault-opens-in-arctic/Here's what Grain.org had to say    Thousands of accessions have died in storage, as many have been rendered useless for lack of basic information about the seeds, and countless others have lost their unique </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/6265002275591804321/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=6265002275591804321' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6265002275591804321'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6265002275591804321'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/02/grainorg-on-opening-of-global-seed.html' title='Grain.org on the opening of a Global Seed Repository'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-6920585382595089564</id><published>2008-02-27T09:05:00.002+11:00</published><updated>2008-02-27T09:33:04.505+11:00</updated><title type='text'>storytelling and copyright</title><summary type='text'>If storytelling is the sign of a healthy community, what are the implications of a society that treats some stories as property?From Apophenia June 18, 2003storytelling... Sandra Ball-RokeachTalking with my advisor yesterday, he spoke about Sandra Ball-Rokeach at USC's Annenberg School For Communication who suggests that the sign of a healthy community is one that tells stories. Storytelling has </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/6920585382595089564/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=6920585382595089564' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6920585382595089564'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6920585382595089564'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/02/storytelling-and-copyright.html' title='storytelling and copyright'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-2203071943914259939</id><published>2008-02-25T13:37:00.001+11:00</published><updated>2008-02-25T13:40:36.023+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='forgery'/><category scheme='http://www.blogger.com/atom/ns#' term='art'/><category scheme='http://www.blogger.com/atom/ns#' term='Zhang Daqian'/><category scheme='http://www.blogger.com/atom/ns#' term='Chinese painting'/><title type='text'>Zhang Daqian: Painter, Collector, Forger at MFA Boston</title><summary type='text'>Press release from MFA Boston:Zhang Daqian (1899-1983) casts a long shadow over the modern history of Chinese painting. As a painter, he was known for his singular ability to mix traditional techniques and styles with contemporary ideas and currents. As a collector, he accumulated important examples from all genres of Chinese painting and left behind copious seals and inscriptions. As a forger, </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/2203071943914259939/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=2203071943914259939' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2203071943914259939'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2203071943914259939'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/02/zhang-daqian-painter-collector-forger.html' title='Zhang Daqian: Painter, Collector, Forger at MFA Boston'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-4546889305779944530</id><published>2008-02-25T08:38:00.005+11:00</published><updated>2008-02-25T09:39:35.960+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='versions'/><category scheme='http://www.blogger.com/atom/ns#' term='be kind rewind'/><category scheme='http://www.blogger.com/atom/ns#' term='sweding'/><category scheme='http://www.blogger.com/atom/ns#' term='gondry'/><category scheme='http://www.blogger.com/atom/ns#' term='swede'/><title type='text'>Be Kind Rewind Trailers and the etymology of 'Sweding'</title><summary type='text'>Trailer for Be Kind Rewind (out in Oz, March 20, 2008)Be Kind Rewind You Tube Profilehttp://www.youtube.com/profile_videos?user=BeKindMovieDirector Michael Gondry 'swedes' (translation: re-makes) his own film trailer.Gondry's explanation on the etymology of sweding as told Chris Lee of the Los Angeles Times:"I wanted a name that meant nothing," Paris native Gondry said in Clouseau-esque Franglais</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/4546889305779944530/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=4546889305779944530' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4546889305779944530'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4546889305779944530'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/02/be-kind-rewind-trailers-and-etymology.html' title='Be Kind Rewind Trailers and the etymology of &apos;Sweding&apos;'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8580295010344539619</id><published>2008-02-13T08:06:00.000+11:00</published><updated>2008-02-13T08:09:38.003+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='copyright fairuse'/><title type='text'>Granting permission where none is needed</title><summary type='text'>"During my conversation with her representative, Mr. Blair, he pointed me to Ms. Rowling’s Web site, suggesting that would be the best place to find her response to the RDR Books case and the Harry Potter Lexicon. “You have our permission to quote from her Web site,” he said.I already have that right, Mr. Blair. But thanks anyway."From "A Tight Grip Can Choke Creativity", JOE NOCERA, in The New </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8580295010344539619/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8580295010344539619' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8580295010344539619'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8580295010344539619'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/02/granting-permission-where-none-is.html' title='Granting permission where none is needed'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-6708104867932292897</id><published>2008-02-05T20:59:00.000+11:00</published><updated>2008-02-05T21:04:05.828+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='greg curnoe'/><category scheme='http://www.blogger.com/atom/ns#' term='Marilyn Langstaff'/><title type='text'>Greg Curnoe's Marilyn Langstaff</title><summary type='text'>Marilyn Langstaffby Greg CurnoeDate made: 1962Materials: gouache, dayglo, stamp pad inkMeasurements: 28.5 x 26 cm</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/6708104867932292897/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=6708104867932292897' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6708104867932292897'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6708104867932292897'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/02/greg-curnoes-marilyn-langstaff.html' title='Greg Curnoe&apos;s Marilyn Langstaff'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-3042177765920917354</id><published>2008-02-01T09:16:00.001+11:00</published><updated>2008-02-01T09:19:50.670+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='wikipedia journalism'/><title type='text'>Wikipedia helps the smart journalists, confounds the rest</title><summary type='text'>It's not a reliable source, some journalists say Wikipedia can lead you to reliable sources. "Any reasonable person has to be up front that there are weaknesses," says founder Jimmy Wales. "On the other hand, there are lots of sources that have weaknesses."read more | digg story(This post was automatically generated by Digg, based on the original poster's summary.  )</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/3042177765920917354/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=3042177765920917354' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3042177765920917354'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3042177765920917354'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/02/wikipedia-helps-smart-journalists.html' title='Wikipedia helps the smart journalists, confounds the rest'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8676344324613575091</id><published>2008-01-25T08:07:00.001+11:00</published><updated>2008-02-29T16:53:31.547+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='collections online'/><category scheme='http://www.blogger.com/atom/ns#' term='blog'/><category scheme='http://www.blogger.com/atom/ns#' term='no known copyright restrictions'/><title type='text'>No known copyright restrictions</title><summary type='text'>In addition to my own research, I recently did some work on a project about recontextualising heritage collections, a joint project between the Centre for Cultural Research at the University of Western Sydney and the Powerhouse Museum. The project is looking at the variety of ways that digital media and social authoring can enhance and enrich the curatorial process. I was looking at the ways in </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8676344324613575091/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8676344324613575091' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8676344324613575091'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8676344324613575091'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/01/collections-online.html' title='No known copyright restrictions'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-6813447421553809978</id><published>2008-01-25T07:55:00.000+11:00</published><updated>2008-01-25T08:06:04.328+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='counterfeits'/><category scheme='http://www.blogger.com/atom/ns#' term='agenda'/><category scheme='http://www.blogger.com/atom/ns#' term='silk street'/><category scheme='http://www.blogger.com/atom/ns#' term='brands'/><title type='text'>Real Fakes from SilkStreet (TM)</title><summary type='text'>Beijing's SilkStreet is known as the place to go for brandname knock-offs. Agenda reports on the making of a brand:‘Real deal’: Beijing fakes market gets own brandCounterfeitsilk0108.jpgIn a highly ironic move, but at a time when China is increasing its need for brand legitimacy, Beijing’s most notorious location for counterfeit luxury goods - SilkStreet - has just turned itself into a legitimate</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/6813447421553809978/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=6813447421553809978' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6813447421553809978'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6813447421553809978'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/01/real-fakes-from-silkstreet-tm.html' title='Real Fakes from SilkStreet (TM)'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8685906133012476517</id><published>2008-01-23T13:42:00.000+11:00</published><updated>2008-01-23T13:51:06.702+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='online art'/><category scheme='http://www.blogger.com/atom/ns#' term='new museum'/><category scheme='http://www.blogger.com/atom/ns#' term='rhizome'/><category scheme='http://www.blogger.com/atom/ns#' term='appropriation'/><category scheme='http://www.blogger.com/atom/ns#' term='copy and paste show'/><title type='text'>The Copy and Paste Show</title><summary type='text'>The Copy and Paste Show is a project by Seth Price, Ida Ekblad &amp; Anders Nordby, and 808. This show was curated by Hanne Mugaas and is part of Time Shares, a series of online exhibitions co-presented by Rhizome and the New Museum of Contemporary Art. It has benn online since September 27, 2006.   The Copy and Paste Show explores the evolution of copy-and-paste culture, through which the copying of</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8685906133012476517/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8685906133012476517' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8685906133012476517'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8685906133012476517'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/01/copy-and-paste-show.html' title='The Copy and Paste Show'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-1387204734696027535</id><published>2008-01-23T08:21:00.001+11:00</published><updated>2008-01-23T09:12:46.052+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='art'/><category scheme='http://www.blogger.com/atom/ns#' term='fakes'/><category scheme='http://www.blogger.com/atom/ns#' term='Dafen'/><category scheme='http://www.blogger.com/atom/ns#' term='authenticity'/><category scheme='http://www.blogger.com/atom/ns#' term='style'/><title type='text'>More on the Chinese Oil Painting Village</title><summary type='text'>In November I posted a link to an excellent piece in Artforum about the infamous Chinese oil painting village in Dafen.Last month, on The Atlantic's site, James Fallows posted his own pictures of the art and artists in the village and ponders the importance of bearing witness.An artist in Dafen with his prolific outputHe also links to this earlier article about the village in the Chicago </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/1387204734696027535/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=1387204734696027535' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1387204734696027535'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1387204734696027535'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/01/more-on-chinese-oil-painting-village.html' title='More on the Chinese Oil Painting Village'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-4954585666840675957</id><published>2008-01-04T10:44:00.000+11:00</published><updated>2008-01-04T10:47:27.433+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='behaviour'/><category scheme='http://www.blogger.com/atom/ns#' term='mimicry'/><title type='text'>Monkey see, Monkey Do: Mimicry and laughter among orangutans</title><summary type='text'>http://news.bbc.co.uk/2/hi/science/nature/7167878.stm 'Laughs' not exclusive to humansThe basis for laughter may have originated in an ancient primate ancestral to both humans and modern apes, a study suggests.Scientists found that orang-utans had a sense of empathy and mimicry which forms an essential part of laughter.Facial expressions, such as the open, gaping mouth resembling laughter, were </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/4954585666840675957/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=4954585666840675957' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4954585666840675957'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4954585666840675957'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/01/monkey-see-monkey-do-mimicry-and.html' title='Monkey see, Monkey Do: Mimicry and laughter among orangutans'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-3795557125837591943</id><published>2008-01-02T14:20:00.000+11:00</published><updated>2008-01-02T14:24:15.110+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='lawsuits'/><category scheme='http://www.blogger.com/atom/ns#' term='RIAA'/><category scheme='http://www.blogger.com/atom/ns#' term='personal use'/><title type='text'>Recording Industry targets computer users</title><summary type='text'>http://www.washingtonpost.com/wp-dyn/content/article/2007/12/28/AR2007122800693.htmlDownload Uproar: Record Industry Goes After Personal UseBy Marc FisherWashington Post Staff WriterSunday, December 30, 2007; M05Despite more than 20,000 lawsuits filed against music fans in the years since they started finding free tunes online rather than buying CDs from record companies, the recording industry </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/3795557125837591943/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=3795557125837591943' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3795557125837591943'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3795557125837591943'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2008/01/recording-industry-targets-computer.html' title='Recording Industry targets computer users'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-1546143730834258146</id><published>2007-11-28T18:53:00.000+11:00</published><updated>2007-11-28T18:56:20.468+11:00</updated><title type='text'>Quotations on Software patents</title><summary type='text'>Quotations on Software patents.http://eupat.ffii.org/archiv/zitate/"What frightens and infuriates so many of us about software patents is that they seek to monopolize our intellectual processes when their representation and performance is aided by a machine." Jim Warren (Autodesk) 1994</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/1546143730834258146/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=1546143730834258146' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1546143730834258146'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1546143730834258146'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/11/quotations-on-software-patents.html' title='Quotations on Software patents'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-1671637446042544564</id><published>2007-11-21T14:06:00.000+11:00</published><updated>2007-11-21T14:10:31.773+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='GNU Manifesto'/><category scheme='http://www.blogger.com/atom/ns#' term='Stallman'/><category scheme='http://www.blogger.com/atom/ns#' term='open source history'/><category scheme='http://www.blogger.com/atom/ns#' term='verbatim copies'/><title type='text'>Richard Stallman's GNU Manifesto</title><summary type='text'>GNU Manifestohttp://www.gnu.org/gnu/manifesto.htmlThe GNU ManifestoThe GNU Manifesto (which appears below) was written by Richard Stallman at the beginning of the GNU Project, to ask for participation and support. For the first few years, it was updated in minor ways to account for developments, but now it seems best to leave it unchanged as most people have seen it.Since that time, we have </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/1671637446042544564/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=1671637446042544564' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1671637446042544564'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1671637446042544564'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/11/richard-stallmans-gnu-manifesto.html' title='Richard Stallman&apos;s GNU Manifesto'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-775567710307949107</id><published>2007-11-20T09:24:00.000+11:00</published><updated>2007-11-20T09:36:56.576+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='alan kaprow'/><category scheme='http://www.blogger.com/atom/ns#' term='re-do'/><category scheme='http://www.blogger.com/atom/ns#' term='Lucas Ihlein'/><title type='text'>happenings that happened, happen again</title><summary type='text'>A report from Lucas Ihlein on the re-do of Alan Kaprow's 18 Happenings in 6 parts.</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/775567710307949107/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=775567710307949107' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/775567710307949107'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/775567710307949107'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/11/happenings-that-happened-happen-again.html' title='happenings that happened, happen again'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-185489666627716492</id><published>2007-11-19T08:53:00.000+11:00</published><updated>2007-11-19T09:42:42.942+11:00</updated><title type='text'>Philip Tinari's THE DAFEN OIL PAINTING VILLAGE</title><summary type='text'>ORIGINAL COPIES: THE DAFEN OIL PAINTING VILLAGEPhilip Tinari, ArtForum, October 2007Excellent piece that ponders the art and business of the handmade copy in Dafen, a Chinese village made up of oil painting businesses. He challenges the idea that these painters are "sweatshop painters" and instead begins to looks at the role of adaptation and style in their work. He also looks at the relationship</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/185489666627716492/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=185489666627716492' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/185489666627716492'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/185489666627716492'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/11/philip-tinaris-dafen-oil-painting.html' title='Philip Tinari&apos;s THE DAFEN OIL PAINTING VILLAGE'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-8733469535199713710</id><published>2007-11-19T08:47:00.000+11:00</published><updated>2007-11-19T08:49:47.610+11:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='procrastination'/><category scheme='http://www.blogger.com/atom/ns#' term='alex ross'/><title type='text'>Lack of posts = Proof I've been working</title><summary type='text'>"Like many people, I started blogging out of an urgent need to procrastinate."Alex Ross in The New Yorker"The Well-Tempered Web", October 22, 2007</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/8733469535199713710/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=8733469535199713710' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8733469535199713710'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/8733469535199713710'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/11/lack-of-posts-proof-ive-been-working.html' title='Lack of posts = Proof I&apos;ve been working'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-6691121955680756353</id><published>2007-09-14T10:40:00.000+10:00</published><updated>2007-09-14T14:08:18.704+10:00</updated><title type='text'>Instances of the "Seeds are Software" metaphor</title><summary type='text'>From the blog Bitter Greens Journal: Dominant traits: Can the seed trusts be busted?posted Wednesday, September 28, 2005--post references a Wall Street Journal article from 1999 quoting Alfonso Romo Garza, then Chairman and CEO of Seminis, the world's largest developer, grower and marketer of fruit and vegetable seeds. (Seminis is now wholly owned subsidiary of Monsanto). Here's how the Wall </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/6691121955680756353/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=6691121955680756353' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6691121955680756353'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6691121955680756353'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/09/instances-of-seeds-are-software.html' title='Instances of the &quot;Seeds are Software&quot; metaphor'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-2615391741226750369</id><published>2007-09-14T08:27:00.000+10:00</published><updated>2007-09-14T08:29:52.537+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='copyright'/><category scheme='http://www.blogger.com/atom/ns#' term='economic contribution'/><category scheme='http://www.blogger.com/atom/ns#' term='Fair Use'/><title type='text'>Fair Use Economy Represents One-Sixth of U.S. GDP</title><summary type='text'>Fair Use Economy Represents One-Sixth of U.S. GDPFile Under: News, 2007, Copyright, CCIASep 12, 2007WASHINGTON D.C. - Fair Use exceptions to U.S. copyright laws are responsible for more than $4.5 trillion in annual revenue for the United States, according to the findings of an unprecedented economic study released today. According to the study commissioned by the Computer and Communications </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/2615391741226750369/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=2615391741226750369' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2615391741226750369'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/2615391741226750369'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/09/fair-use-economy-represents-one-sixth.html' title='Fair Use Economy Represents One-Sixth of U.S. GDP'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-4651460725135406464</id><published>2007-09-11T19:37:00.000+10:00</published><updated>2007-09-11T19:44:58.316+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ecosystems'/><category scheme='http://www.blogger.com/atom/ns#' term='Jamais Cascio'/><category scheme='http://www.blogger.com/atom/ns#' term='information economy'/><title type='text'>Jamais Cascio's Nature as an Information Economy</title><summary type='text'>Nature as an Information Economy, a blog entry written by futurist Jamais Cascio on July 28, 2006Includes an intriguing argument about how replicability and non-uniformity are what distinguish an information economy from an industrial and service economies What makes the the information economy model different from industrial and service economies are two big factors: replicability and </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/4651460725135406464/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=4651460725135406464' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4651460725135406464'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4651460725135406464'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/09/jamais-cascios-nature-as-information.html' title='Jamais Cascio&apos;s Nature as an Information Economy'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-6915782169438194514</id><published>2007-09-07T20:31:00.000+10:00</published><updated>2007-09-08T10:31:04.178+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='counterfeits'/><category scheme='http://www.blogger.com/atom/ns#' term='copyright'/><category scheme='http://www.blogger.com/atom/ns#' term='fashion'/><title type='text'>fashion and copies</title><summary type='text'>Counterfeit Chic, a blog devoted to so-called counterfeit or copied fashion by Susan Scafidi, an American legal scholar and author of Who Owns Culture? Scafidi is also a supporter of the extention of copyright to fashion design and has testified on behalf of the Council of Fashion Designers of America who are lobbying for the changes in US law.The blog collects news items related to the subject </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/6915782169438194514/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=6915782169438194514' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6915782169438194514'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6915782169438194514'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/09/fashion-and-copies.html' title='fashion and copies'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-1206055826409327095</id><published>2007-09-04T20:47:00.000+10:00</published><updated>2007-09-04T21:12:35.605+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='counterfeits'/><category scheme='http://www.blogger.com/atom/ns#' term='luxury goods'/><category scheme='http://www.blogger.com/atom/ns#' term='fakes'/><category scheme='http://www.blogger.com/atom/ns#' term='fashion'/><title type='text'>The Emperor's New Clothes?</title><summary type='text'>From the department of unknown nudity:"At least 11 percent of the world’s clothing is fake, according to 2000 figures from the Global Anti-Counterfeiting Group in Paris." wrote Dana Thomas in an op-ed piece in the New York Times, August 30, 2007.</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/1206055826409327095/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=1206055826409327095' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1206055826409327095'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1206055826409327095'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/09/emporers-new-clothes.html' title='The Emperor&apos;s New Clothes?'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-9091319596493785654</id><published>2007-08-12T13:28:00.000+10:00</published><updated>2007-08-12T13:40:53.223+10:00</updated><title type='text'>mp3 blog links for Art of Audio Talk</title><summary type='text'>http://www.bumrocks.com/http://dreamchimney.com/tracks/http://www.fluxblog.org/http://funky16corners.wordpress.com/http://www.lovefingers.org/http://tofuhut.blogspot.com/</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/9091319596493785654/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=9091319596493785654' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/9091319596493785654'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/9091319596493785654'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/08/mp3-blog-links-for-art-of-audio-talk.html' title='mp3 blog links for Art of Audio Talk'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-6202195069994335721</id><published>2007-07-18T09:40:00.000+10:00</published><updated>2007-07-18T10:32:31.103+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='photography'/><category scheme='http://www.blogger.com/atom/ns#' term='restrictions'/><title type='text'>No Pictures Please: Cities Move to Restrict Photography</title><summary type='text'>New York City is proposing regulations restrictions on public photography, reported the New York Times on June 29, 2007.A couple weeks later the NYCLU reports that the city has agreed to open up the debate around these regulations which would extend the rules pertaining to commercial film shoots to "any group of two or more people who want to use a camera in a single public location for more than</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/6202195069994335721/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=6202195069994335721' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6202195069994335721'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/6202195069994335721'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/07/no-pictures-please-cities-move-to.html' title='No Pictures Please: Cities Move to Restrict Photography'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-4452896780518242228</id><published>2007-06-25T09:26:00.000+10:00</published><updated>2007-06-25T09:28:10.364+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='lawrence lessig'/><category scheme='http://www.blogger.com/atom/ns#' term='iCommons'/><category scheme='http://www.blogger.com/atom/ns#' term='speech'/><title type='text'>Lawrence Lessig Speech at iCommons Summit 2007 on Youtube</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/4452896780518242228/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=4452896780518242228' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4452896780518242228'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4452896780518242228'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/06/lawrence-lessig-speech-at-icommons.html' title='Lawrence Lessig Speech at iCommons Summit 2007 on Youtube'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-4419151306368752067</id><published>2007-06-17T13:43:00.000+10:00</published><updated>2007-06-17T14:52:28.040+10:00</updated><title type='text'>Ecstacy of Influence, Jonathan Letham, Harper's, February 2007</title><summary type='text'>A brilliant piece in Harper's from February 2007 by Brooklyn author Jonathan Lethem. I must admit I had mixed feelings as I was reading this. It's packed with so many of the ideas that have occupied my thoughts for the past couple years that I couldn't help but feel, well scooped. This folly gave way to glee when I realised that Lethem had performed a feat of spectacular plagiarism, one so </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/4419151306368752067/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=4419151306368752067' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4419151306368752067'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/4419151306368752067'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/06/ecstacy-of-influence-jonathan-letham.html' title='Ecstacy of Influence, Jonathan Letham, Harper&apos;s, February 2007'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-5243831365963988057</id><published>2007-05-17T10:37:00.000+10:00</published><updated>2007-05-17T10:40:11.408+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='neo-confusionism'/><category scheme='http://www.blogger.com/atom/ns#' term='copyright'/><category scheme='http://www.blogger.com/atom/ns#' term='cultural studies'/><category scheme='http://www.blogger.com/atom/ns#' term='china'/><title type='text'>Neo-Confucianism and copyright in China</title><summary type='text'>Influences of Neo-Confucianism in the Information SocietyThe Spreading of China in Internet Mediated Communicationsby Aristides PereiraAn essay about Neo-Confucianism and its relations on Chinese policies concerning copyrights and Internet use in the 21st Century.</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/5243831365963988057/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=5243831365963988057' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5243831365963988057'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/5243831365963988057'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/05/neo-confucianism-and-copyright-in-china.html' title='Neo-Confucianism and copyright in China'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-778581127050106882</id><published>2007-05-07T17:14:00.000+10:00</published><updated>2007-05-07T17:21:38.582+10:00</updated><title type='text'>Australian extradited to US over cracked software</title><summary type='text'>From the Sydney Morning HeraldAussie software pirate extraditedKenneth NguyenMay 7, 2007BEFORE he was extradited to the United States, Hew Griffiths, from Berkeley Vale in NSW, had never even set foot in America. But he had pirated software produced by American companies.Now, having been given up to the US by former justice minister Chris Ellison, Griffiths, 44, is in a Virginia cell, facing up </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/778581127050106882/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=778581127050106882' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/778581127050106882'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/778581127050106882'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/05/australian-extradited-to-us-over.html' title='Australian extradited to US over cracked software'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-1694651742029824405</id><published>2007-04-11T08:35:00.000+10:00</published><updated>2007-04-11T14:17:31.985+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='licensing'/><category scheme='http://www.blogger.com/atom/ns#' term='library of congress'/><category scheme='http://www.blogger.com/atom/ns#' term='corbis'/><category scheme='http://www.blogger.com/atom/ns#' term='dorothea lange'/><category scheme='http://www.blogger.com/atom/ns#' term='digital rights'/><title type='text'>Migrant Mother by Dorothea Lange: Copies at Corbis &amp; the Library of Congress</title><summary type='text'>A New York Times story on Corbis was accompanied by a slideshow that included the very famous photo Migrant Mother by Dorothea Lange.A search of the Corbis site finds that the company claims copyright to the image (IH081187|Rights Managed|Image:© CORBIS). (The price charged depends on usage: full page inside an academic journal with 10000 circulation in Australia costs around 280AUD, web use for </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/1694651742029824405/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=1694651742029824405' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1694651742029824405'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/1694651742029824405'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/04/migrant-mother-by-dorothea-lange-corbis.html' title='Migrant Mother by Dorothea Lange: Copies at Corbis &amp; the Library of Congress'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KxBu62MRAzw/RhxCNPJ9eLI/AAAAAAAAABE/JqcLG0VIEd0/s72-c/dorothealangemigrantmother.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-689998523419441832</id><published>2007-04-11T08:13:00.000+10:00</published><updated>2007-04-11T08:34:11.004+10:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><category scheme='http://www.blogger.com/atom/ns#' term='media consumption'/><category scheme='http://www.blogger.com/atom/ns#' term='copyright'/><category scheme='http://www.blogger.com/atom/ns#' term='dan mitchell'/><category scheme='http://www.blogger.com/atom/ns#' term='vidmeter'/><title type='text'>Tracking video clips online: Vidmeter finds not big media</title><summary type='text'>April 7, 2007What’s OnlineYouTube’s Favorite ClipsBy DAN MITCHELLON YouTube, copyrighted video clips of movies and TV shows are far less popular compared with noncopyrighted material than previously thought, according to a new study.On their face, the results could have serious implications for YouTube’s owner, Google, and the media companies, most notably Viacom, with which it has been </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/689998523419441832/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=689998523419441832' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/689998523419441832'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/689998523419441832'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/04/tracking-video-clips-online-vidmeter.html' title='Tracking video clips online: Vidmeter finds not big media'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-3068105018624829955</id><published>2007-02-07T13:15:00.000+11:00</published><updated>2007-02-07T13:17:06.822+11:00</updated><title type='text'>Steve Jobs changes tune on DRM</title><summary type='text'>Steve Jobs changes tune on DRMhttp://news.bbc.co.uk/2/hi/business/6337275.stm </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/3068105018624829955/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=3068105018624829955' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3068105018624829955'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/3068105018624829955'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/02/steve-jobs-changes-tune-on-drm.html' title='Steve Jobs changes tune on DRM'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-7547806732583627946</id><published>2007-02-06T18:36:00.000+11:00</published><updated>2007-02-06T19:55:40.757+11:00</updated><title type='text'>research about mp3 blogs</title><summary type='text'>O'Donnell, Patrick W., The Users and Marketing Efficacy of MP3 Music BlogsPhD thesis: "This paper examined the users and marketing efficacy of MP3 music blogs. MP3 blogs are a specific type of blog that feature posts about musicians and have sample MP3s available for download. This study found that artists looking to gain access to an early adopter and non-mainstream music audience might find </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/7547806732583627946/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=7547806732583627946' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/7547806732583627946'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/7547806732583627946'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/02/research-about-mp3-blogs.html' title='research about mp3 blogs'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-116960086022180686</id><published>2007-01-24T12:07:00.000+11:00</published><updated>2007-01-24T19:49:09.336+11:00</updated><title type='text'>DJ Drama drama--collected stories about his arrest for violation of copyright</title><summary type='text'>VH1 reporting:What's Next For The Mixtape World After DJ Drama Raid?'The movement is stronger than ever right now,' says DJ Sense, one-third of Drama's embattled Aphilliates crew — but others see tough times ahead. by Shaheem Reid and Jayson Rodriguez'Play The Game Fair': Lil Wayne Responds To DJ Drama's Mixtape Bust Diplomats' DukeDaGod, mixtape DJ also weigh in on the raid's impact.by Shaheem </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/116960086022180686/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=116960086022180686' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116960086022180686'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116960086022180686'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/01/dj-drama-drama-collected-stories-about.html' title='DJ Drama drama--collected stories about his arrest for violation of copyright'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-116959864125487924</id><published>2007-01-24T11:30:00.000+11:00</published><updated>2007-01-24T11:31:18.760+11:00</updated><title type='text'>hip hop mixtapes -MTV 2003 report</title><summary type='text'>In the wake of DJ Drama's arrest I thought I'd collect some of the excellent reporting that exists on the web about hip hop mixtapes. In 2003, MTV put together this report, Mixtapes: THe Other Music Industry by  Shaheem Reid. Worth noting:-the existence of mixtapes preceeded rap records. People like Grandmaster Flash and Kool Herc made customised tapes (charging by the minute and adding </summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/116959864125487924/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=116959864125487924' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116959864125487924'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116959864125487924'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/01/hip-hop-mixtapes-mtv-2003-report.html' title='hip hop mixtapes -MTV 2003 report'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-116959459361622263</id><published>2007-01-24T10:22:00.000+11:00</published><updated>2007-01-24T10:23:14.043+11:00</updated><title type='text'>Michelle Kuo on Invader</title><summary type='text'>Nice piece by Michelle Kuo about Invader in the January 2007 issue of Artforum(See p.57).Notes:"Vandalism, then, emerges as a mode of public address--as one of the last remaining collective activitioes taking place in urban space.""Of course, what could be closer to the pervasive drift of global consumerism than a ubiquitous logo liek Invaders? Graffiti meets branding  in a partnership that is by</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/116959459361622263/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=116959459361622263' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116959459361622263'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116959459361622263'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/01/michelle-kuo-on-invader.html' title='Michelle Kuo on Invader'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-116898786619137778</id><published>2007-01-17T09:48:00.000+11:00</published><updated>2007-01-17T09:51:06.496+11:00</updated><title type='text'>Real fakes</title><summary type='text'>"Imagine the consequences if lots of people started creating “fake” art without acknowledging what they were up to?" Last Chance | Lester HayesA Promise That Never Bloomed, a Post-Minimalist You’ve Never Heard OfBy HOLLAND COTTERPublished: January 16, 2007New York Times</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/116898786619137778/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=116898786619137778' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116898786619137778'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116898786619137778'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2007/01/real-fakes.html' title='Real fakes'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-116717203855150087</id><published>2006-12-27T09:27:00.000+11:00</published><updated>2006-12-27T09:27:18.816+11:00</updated><title type='text'>collision detection: Why interactive websites can create false memories</title><summary type='text'>Clive Thompson ponders false memories and interactive marketing after reading a  paper to be published this month in the Journal of Consumer Research by Ann Schlosser, a business professor at the University of Washington. collision detection: Why interactive websites can create false memories</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/116717203855150087/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=116717203855150087' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116717203855150087'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116717203855150087'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2006/12/collision-detection-why-interactive.html' title='collision detection: Why interactive websites can create false memories'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-116527916505534207</id><published>2006-12-05T11:39:00.000+11:00</published><updated>2006-12-05T11:39:25.166+11:00</updated><title type='text'>No pre-owned games to be allowed for Playstation 3</title><summary type='text'>No pre-owned games to be allowed for Playstation 3</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/116527916505534207/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=116527916505534207' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116527916505534207'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116527916505534207'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2006/12/no-pre-owned-games-to-be-allowed-for.html' title='No pre-owned games to be allowed for Playstation 3'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20420020.post-116527895689299498</id><published>2006-12-05T11:35:00.000+11:00</published><updated>2006-12-05T11:35:56.980+11:00</updated><title type='text'>Thought DMCA was bad? Here’s DTCS! | blog.forret.com</title><summary type='text'>Thought DMCA was bad? Here’s DTCS! | blog.forret.com</summary><link rel='replies' type='application/atom+xml' href='http://copyculture.blogspot.com/feeds/116527895689299498/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20420020&amp;postID=116527895689299498' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116527895689299498'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20420020/posts/default/116527895689299498'/><link rel='alternate' type='text/html' href='http://copyculture.blogspot.com/2006/12/thought-dmca-was-bad-heres-dtcs.html' title='Thought DMCA was bad? Here’s DTCS! | blog.forret.com'/><author><name>MB</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
